AWARDS
For his remarkable ability to work with the protagonist family and transform the family archive images into a fiction full of personality, executed with a firm and mature touch.
For being a film emerging from the outermost fringes, walking a fine line that puts both itself and its audience at risk, boldly venturing into the most unexpected places in search of images without the certainty of finding anything.
For breaking the boundaries of what we consider the timing of a film, for blurring the lines between reality and fiction, and above all, for being a work about and for friendship.
For being a film of dreamed films. For its courage in resurrecting an utopian and revolutionary filmmaker. For its stylistic versatility and its audacity in creating images that should have existed. For its militancy against censorship and terror.
For the multiple possibilities and risks the project embraces, envisioning a film that revitalizes our political and poetic imaginaries while honoring the complexity of the era it represents.
