SocialSim
2020
Single channel HD video and live computer simulation Rebellion
Blockbuster Cop: Mark Waschke
Hêja / Nefertiti: Hêja Netirk
COVID-19 as COVID-19
Gedreht in / Shot on location at .COM BAR
Outtakes: Broken Windows, Guards, Factory of the Sun, This is the Future Auszüge aus / Excerpts from: Ernst Lubitsch, Die Aus- ternprinzessin / The Oyster Princess, 1919
Voice-over: Samantha Livingston
Musik / Music: Kassem Mosse Paid Reach RZ, Viola Klein, “We (Part Two)” mit / featuring Whodat, Sabar: Abdou Aziz, Abdoukhadre, Adrame Diop (St. Louis); Bethany Barrett, “Glacial Catacomb,” Variation auf / on “Rabbia e Tarantella” von / by Ennio Morricone, gespielt von / performed by Bethany Barrett, Jules LaPlace, Liam Morrison; Xhale303 trailer-1, Michael-DB synthontherum 01, Gregor Quendel Cinematic Orchestra / Throat chanting, Lharman94 Arpeggiato, Graham Makes Epic Orchestral Cité, Gregor Quendel Cinematic Chanting, Weldon Smith shepardfilterdrone, @FXProsound dangerous cinematic, hoerspielwerkstatt hef – maxibeat1-130, Goran Andric Thrill Announcement, Michael-DB cinematic music, Tony Rolando (make noise music), todbarton-shakuhachi, Matt c90 Epic Tribal Drums Cmeeson didg-3-sampleJ, uskddink Seagulls / Thatjeffcarter razor- bladerunning-2, Florian Reichelt www.instagram.com/ florianreichelt Installationsdesign / Installation design: Manuel Reinartz, Emiliano Pistacchi, Max Schmoetzer 3D-Design und / and Bouncing Bubble
Politics: Max Schmoetzer
Postproduktion / Postproduction: Christoph Manz
Bewegtbildhelden / Heroes of the moving image: Lukas Loss
– 360 Photography Zugang Kollektiv
– additional footage Berlin 29082020, Can Kurucu, Tama Ruß, Ada Kopaz, Bruno Siegrist
Simulationen / Simulations: Dancing Mania (K21) Rebellion (Centre Pompidou)
Produzent / Producer: Ayham Ghraowi
Programmierung Verhalten und Effekte / Behavior and effects pro gramming: Robert Gerdisch
Computergrafik, Echtzeit-Visualisierung und 3D-Modelle/ CG & real-time visualizations and 3D modeling: Lucas Gutierrez
Zusätzliche Programmierung / Additional programming: Baransel Tekin
Neurale Schlangenbeschwörung / Neural snake charming: Jules LaPlace
Im Auftrag von / Commissioned by: Doris Krystof, Kunstsammlung Nordrhein- Westfalen, Düsseldorf; Florian Ebner und / and Marcella Lista, Centre Pompidou Paris
Unterstützt von / Supported by: Kulturstiftung des Bundes
Dank an / Thanks to: Tomás Saraceno, der mir freundlicherweise erlaubt hat, seine wunderbare Installation in orbit zu zeigen / for graciously allowing me to show his amazing installation in orbit und / and to Rafael Matsunaga für die hervorragenden Genetic Walkers auf www.rednught.com / for the brilliant Genetic Walkers at www.rednught.com, Alice Conconi, Leah Turner, Emiliano Pistacchi, Andrew Kreps, Esther Schipper, Keijiro für den wunderbaren prozeduralen Tanz / for amazing procedural dance, Skinner FX, Miloš Trakilović, Giorgi Gago Gagoshidze, Tom Holert, und / and DCCA / Amadeu Antonio Stiftung Kenny Schachter, Where in the World is ‘Salvator Mundi’? artnet, June 2019
Happy Hypoxia: Hito Steyerl
Courtesy the artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin/Paris/Seoul
Single channel HD video and live computer simulation Rebellion
Duration: 18:19 min (single channel), Rebellion duration variable
Hêja / Nefertiti: Hêja Netirk
COVID-19 as COVID-19
Gedreht in / Shot on location at .COM BAR
Outtakes: Broken Windows, Guards, Factory of the Sun, This is the Future Auszüge aus / Excerpts from: Ernst Lubitsch, Die Aus- ternprinzessin / The Oyster Princess, 1919
Voice-over: Samantha Livingston
Musik / Music: Kassem Mosse Paid Reach RZ, Viola Klein, “We (Part Two)” mit / featuring Whodat, Sabar: Abdou Aziz, Abdoukhadre, Adrame Diop (St. Louis); Bethany Barrett, “Glacial Catacomb,” Variation auf / on “Rabbia e Tarantella” von / by Ennio Morricone, gespielt von / performed by Bethany Barrett, Jules LaPlace, Liam Morrison; Xhale303 trailer-1, Michael-DB synthontherum 01, Gregor Quendel Cinematic Orchestra / Throat chanting, Lharman94 Arpeggiato, Graham Makes Epic Orchestral Cité, Gregor Quendel Cinematic Chanting, Weldon Smith shepardfilterdrone, @FXProsound dangerous cinematic, hoerspielwerkstatt hef – maxibeat1-130, Goran Andric Thrill Announcement, Michael-DB cinematic music, Tony Rolando (make noise music), todbarton-shakuhachi, Matt c90 Epic Tribal Drums Cmeeson didg-3-sampleJ, uskddink Seagulls / Thatjeffcarter razor- bladerunning-2, Florian Reichelt www.instagram.com/ florianreichelt Installationsdesign / Installation design: Manuel Reinartz, Emiliano Pistacchi, Max Schmoetzer 3D-Design und / and Bouncing Bubble
Politics: Max Schmoetzer
Postproduktion / Postproduction: Christoph Manz
Bewegtbildhelden / Heroes of the moving image: Lukas Loss
– 360 Photography Zugang Kollektiv
– additional footage Berlin 29082020, Can Kurucu, Tama Ruß, Ada Kopaz, Bruno Siegrist
Simulationen / Simulations: Dancing Mania (K21) Rebellion (Centre Pompidou)
Produzent / Producer: Ayham Ghraowi
Programmierung Verhalten und Effekte / Behavior and effects pro gramming: Robert Gerdisch
Computergrafik, Echtzeit-Visualisierung und 3D-Modelle/ CG & real-time visualizations and 3D modeling: Lucas Gutierrez
Zusätzliche Programmierung / Additional programming: Baransel Tekin
Neurale Schlangenbeschwörung / Neural snake charming: Jules LaPlace
Im Auftrag von / Commissioned by: Doris Krystof, Kunstsammlung Nordrhein- Westfalen, Düsseldorf; Florian Ebner und / and Marcella Lista, Centre Pompidou Paris
Unterstützt von / Supported by: Kulturstiftung des Bundes
Dank an / Thanks to: Tomás Saraceno, der mir freundlicherweise erlaubt hat, seine wunderbare Installation in orbit zu zeigen / for graciously allowing me to show his amazing installation in orbit und / and to Rafael Matsunaga für die hervorragenden Genetic Walkers auf www.rednught.com / for the brilliant Genetic Walkers at www.rednught.com, Alice Conconi, Leah Turner, Emiliano Pistacchi, Andrew Kreps, Esther Schipper, Keijiro für den wunderbaren prozeduralen Tanz / for amazing procedural dance, Skinner FX, Miloš Trakilović, Giorgi Gago Gagoshidze, Tom Holert, und / and DCCA / Amadeu Antonio Stiftung Kenny Schachter, Where in the World is ‘Salvator Mundi’? artnet, June 2019
Happy Hypoxia: Hito Steyerl
Courtesy the artist, Andrew Kreps Gallery, New York and Esther Schipper, Berlin/Paris/Seoul
